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bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing99精产国品一二三产品香蕉可能因为我本身就是一个凝视这个群体的外人

很棒的职场剧把高层做决断的思维方式展现的很到位利益才是第一位个人的才能和贡献在裁员时并不占什么分量

高水准的还原改动部分也是有过之而无不及手笔豪华大气尤其喜欢结尾的处理剧院魅影在环球八大怪里也是最贴近于“人”的设定99精产国品一二三产品香蕉没有外来因素干扰善心邪恶均来自于内心

越来越喜欢这一类细节表现真实又参杂着黑色幽默太真实就会变煽情太黑色幽默就会流于浅薄

或许受制于当年制作成本太高影片节奏多少有些赶部分细节展得并不是很开但皮克斯工作室在技术层面及价值观的塑造上99精产国品一二三产品香蕉即便24年过去了你依旧会惊讶于这种洞察力胡迪很像是儿童心理的一类折射会嫉妒、会因为利己而撒谎、会因为害怕孤独而伤心更会在错误中反省自己在分享中开始成长开始透过怪诞的世界琢磨事物的本质